Muskrat Profile

Squaw Creek has many muskrat huts throughout the refuge. It is not unusual to see many of these guys working away, eating, or just swimming around. They are a little skittish and don't like it when you get out of your car. I managed to capture a few of them, but when you approach they tend to dive under the water and never come back up. In this case, this guy was close to shore and I was able to stick half my body out of the window to get a tighter shot. When I finally did open the door, he took off. I don't like startling these guys too much so I moved on. I never really knew that much about muskrats before taking this guys photo so I did a bit of research. Here's a tidbit of what I found out (wikipedia - it's probably accurate - right?)

Muskrats are found over most of Canada and the United States and a small part of northern Mexico. They always inhabit wetlands, areas in or near salt and fresh-water marshlands, rivers, lakes, or ponds. They are not found in the state of Florida where the round-tailed muskrat, or Florida water rat.

Muskrats continue to thrive in most of their native habitat and in areas where they have been introduced. While much wetland habitat has been eliminated due to human activity, new muskrat habitat has been created by the construction of canals or irrigation channels and the muskrat remains common and wide-spread.

Muskrats are most active at night or near dawn and dusk. They feed on cattails and other aquatic vegetation. They do not store food for the winter, but sometimes eat the insides of their lodges or steal food that beavers have stored. Plant materials make up about 95 percent of their diets, but they also eat small animals such as freshwater mussels, frogs, crayfish, fish, and small turtles.

For this image I utilized a Nik plug-in called "Vienza". It allows spot changes to saturation, contast, and brightness. I was a little skeptical about this product as I figured I could always mask the object in photoshop and apply whatever I needed to the mask, but I find that this plug-in helps cut down on the work. I am sure at this point, I am only scratching the surface of what it can do, but here it helped me apply a bit more saturation to the muskat, raise the brightess on the facial area, and increase the contrast slightly for a little more pop.

Technical Details:
Canon 50d, 300 f/4l + 1/4tc, f/7.1, 1/1000 sec.
Squaw Creek National Wildlife Refuge, Missouri

Togetherness

I made it down to Squaw Creek again for another trip on the way through to Kansas City. On one of the trips around the lake, I captured these two Canada geese hanging out on a muskrat hut. They just watched as I took their photo, content to be together. I felt the black and white treatment here was the best to isolate the subjects.

Technical Details:
Canon 50d, 300 f/4l + 1.4tc, f/8, 1/1600 sec.
Squaw Creek National Wildlife Refuge

Coot on the Run

I wanted to get some up close shots of the Snow Geese at Squaw Creek, but every time I got fairly close, they decided to up and run away. So, I tried my hand at the American Coots. I got a little close, and when they go they almost look like little road runners before they take off.

Technical Details:
Canon 50d, 300 f/4l + 1.4tc, f/5.6, 1/8000 sec.
Squaw Creek National Wildlife Refuge, Missouri

Tornado of Birds

Another type of image I wanted to capture from the visit to Squaw Creek was a wide-angle view of all the birds. In this photograph, some of the birds are discernible, while the majority exist only as a large black wave in the background. This really exemplifies the shear magnitude of this flock of geese on the lake.

Technical Details:
Canon 5d Mark II, 17-40 f/4l @ 40mm, f/7.1, 1/2000 sec.
Squaw Creek National Wildlife Refuge, Missouri

Snow Goose Abstract

For today's image, I wanted to shoot directly into the flock of snow geese in such a way, that unless you knew that they were birds, you might not be able to ascertain what exactly the photograph was. Here, I waited until they were really stirred up by something and then shot several directly into the storm of birds. It appears as an abstract with black and white and small touches of blue.

Technical Details:
Canon 50d, 300 f/4l + 1.4tc, f/5.6, 1/2500 sec.
Squaw Creek National Wildlife Refuge, Missouri

Little Blue Jay

I made a trek down to Squaw Creek National Wildlife Refuge yesterday since they had over one million snow geese and 150 bald eagles. Recently, I rebuilt my computer to install the latest version of Photoshop and I haven't had an opportunity to color profile my monitor again, so I will have a lot of work when that is done. In the meantime, I found this blue jay photograph that I took on one of my circles around the lake.

Technical Details:
Canon 50d, 300 f/4l + 1.4tc, f/7.1, 1/2000 sec.
Squaw Creek National Wildlife Refuge, Missouri

Simplicity

During our trip to Kansas City, we visited Powell Gardens. This is a wonderful garden with flowers, waterfalls, and butterflies! So much to photograph. It was overcast with rain off and on with made for some wonderful flower photography. Here I focused in on a lily pad flower and the dark background really helped contrast the image and made the flower pop.

Technical Details:
Canon 5d, 300 f/4l + 1.4 tc, f/5.6, 1/800 sec.
Powell Gardens, Missouri

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

Power and Light

This image was taken in Kansas City as well, in the Power and Light District. This particular evening, the lead singer of Boston was performing at the KC Live, which is at the far right of the image. I used a long exposure with the street in the foreground to capture the streaks of the headlights of the cars passing by.

Technical Details:
Canon 5d, 17-40 f/4l @ 17mm, f/16, 30 sec.
Power and Light District, Kansas City, Missouri

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

Musical Infinity

Over the weekend, my family and I went to Kansas City for a photo shoot with some members of the BetterPhoto website. We went to several places that I have never been and I had the opportunity to photograph some unique items. This particular photograph was taken of the inside of an old piano that was at the historic Harris-Kearney House in Westport. I used a wide angle lens very close with a large aperature in order to place the focus on a few of the strings.

Technical Details:
Canon 5d, 17-40 f/4l @ 29mm, f/4, 1/25 sec.
Harris-Kearney House, Westport, Kansas City, Missouri

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

The Dark Road

Today's image was taken at Squaw Creek National Wildlife Refuge. There was a section of the road that passed through a tunnel of trees and it was a very foreboding type passage. I used a smaller depth of field in order to intentionally blur the foreground to force one's eye down the road. To accentuate the uneasy feeling, I converted the image to black and white, tinted it with a little red, green, and yellow, and then I used the nik "Midnight" filter. This creates an even more ominous environment.

The original photograph:

Technical Details:
Canon 5d, 70-200 f/4l @ 200, f/5, 1/1250 sec.
Squaw Creek National Wildlife Refuge

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

A Touch of the Old World

This is an image of the Giralda Tower near the Cheesecake Factory in The Plaza in Kansas City. It is a 138 foot replica of a tower that is in Seville, Spain. Since this tower was built in the 1920's and had an old world feel, I converted this image to black and white and then gave it a bit of a brown tint. I also used OnOne's PhotoFrame program to frame the image with an old film type emulsion frame.

This is the original black and white converted image:

Technical Details:
Canon 5d, 70-200 f/4l @ 73mm, f/10, 1/1250 sec.
The Plaza, Kansas City, Missouri

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

Forboding Faces

While going through my photographs from the Plaza, I came across an image of a fountain from that area. It was essentially a black and white image, but I decided to do something a little different. I tinted the image slightly green and used the "Poster Edges" Photoshop filter (under artistic) to give it a forboding comic book feel. The before an after conversion:

Some trivia: Besides Rome, Kansas City has the most fountains of any city.

Technical Details:
Canon 5d, 70-200 f/4l lens @ 145mm, f/10, 1/800 sec.
The Plaza, Kansas City, Missouri

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

Brick and Glass

During my recent weekend trip to Kansas City, my family and I visited the Plaza, an upscale shopping area, with very ornate, unique architecture from an earlier time. The primary focus of this trip was not photography, but I managed the few occasional shots. Since the weather was primarily overcast, and the architecture was fairly old, I felt that shooting for later conversion to black and white would be the most effective.

While shooting this photograph, I was filled with questions. How long have these buildings been here? What influenced their design? Unlike today's designs, even the windows on the top and back of this building were designed with a purpose. What was that purpose?

In this composition I focused on the tonalities of the bricks and shingles as well as capturing the ornate glass windows. From the era in which this was built even the back and top of the building had artistic qualities and it is in this image that I attempt to capture some of these qualities.

Technical Details:
Canon 5d, 70-200 f/4l lens @ , f/10, 1/250 sec.
The Plaza, Kansas City, Missouri

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.

Double Trouble

During the 50th anniversary celebration at DeSoto National Wildlife Refuge, I had the opportunity to dine with the manager of Squaw Creek National Wildlife Refuge in Northwestern Missouri. It is a place I have passed perhaps 40 times and never stopped on trips to Kansas City from Omaha. I knew that I would be making the trip again in just a couple of weeks and I decided that I should stop this time, and ended up stopping on both directions of the journey.

During my time on the refuge I saw multiple types of ducks, a bald eagle, a small army of muskrats, Sandhill Cranes, and these Double-Crested Cormoran. Now, I do not normally go out of my way to photograph birds. Yes, I like birds, as I like all things nature, and yes, I like to photograph them, but my general photography setup is currently not such that allows for good bird photography.

What I mean by this, is that besides the general deep-seated desire to photograph, and the will to execute, you need some pretty powerful equipment. Now, I have a 300 f/4l lens, which has been excellent, excellent, excellent for me for larger animals such as bears, elk, deer, etc., but when it comes down to birds, not so great. With that 300 f/4l lens, I can add (and usually do) a 1.4x canon teleconverter (or extender) which makes it a pretty darn good 420 f/5.6 lens. This still, is not enough. In order to get the shot above, I coupled a tamron 2x extender to the 300 + 1.4 combination to get 840 f/11. Add that to my Canon 20d to get the extra 1.6 crop factor and you now have 1344mm of reach. Not to stop there, I also had to crop the image to a little less than a 7 megapixel photo from an 8 megapixel sensor.

Ultimately, why wouldn't I do that everyday? At f/11. I've lost quite a bit of light and consequently I must use a significantly slower shutter speed. Since the Canon 20d does not autofocus with anything less than f/5.6, I must now rely on manually focusing. In my pentax k-1000 days, this was common for me, but as I reviewed the shots from the refuge, I realize that I am not that great at it anymore, and I definitely think that my diopter setting is off. Additionally, and most importantly all this glass ends up degrading the sharpness and contrast of the image.

So why bother at all? Simple, for me it's better to attempt the shot and perhaps get a single good one, than to try at all. I think that my shot above is acceptable, not award-winning, but I believe it to still be a fairly decent shot.

As for the refuge, I thoroughly enjoyed my 2 stops at Squaw Creek and I hope to return again soon. The wildlife, though at the tail end of the spring migration, was outstanding and fun to photograph. I can only imagine how it would be during the height of one of the migrations.

Technical Details:
Canon 20d, 300 f/4l +1.4tc + 2.0tc, 1/640 sec.
Squaw Creek National Wildlife Refuge

To view other photographs, order this photograph as a print, or purchase licensing rights, please visit my website at http://www.journeyoflight.com/.